An interview with Samantha Lee Howe

My guest today writes spine chilling horror, page turning crime fiction and fast paced spy fiction. If you’re looking for your next great read, then look no further!

Hi Sam, welcome to my blog! Firstly, please introduce yourself and your books.

Hi everyone, I’m Samantha Lee Howe and I am the USA TODAY bestselling author of The Stranger In Our Bed, The House of Killers, Kill Or Die and Kill A Spy. I’m a novelist and screenwriter. I also write Horror, Fantasy, SF and Supernatural fiction under the pen name Sam Stone.

When did you start writing? Can you tell me about your journey to publication?

I’ve always been a writer since a very young age. I had some poetry and short stories published in the mid to late 1990s (which seems like a very long time ago now!). And on the back of that I earned a place at Bolton University to do my English degree which was joint Writing for Performance. When I qualified, I gained a place at Manchester University to do a PGCE and I became an English teacher in 2003. But my dream to be a writer didn’t go away and so I took an MA in Creative Writing – specialising in prose – at Bolton part time and I ended up writing my first novel for my dissertation. My professional writing career began in 2007 when I was published by a small press called The House of Murky Depths. After that it was an uphill climb, where I’d write before and after the school day while I was teaching. Murky Depths published the first 5 of the Vampire Gene Series with a great deal of success.

So far you have written 27 novels, three novellas, three collections, more than 60 short stories, an audio drama, a Doctor Who spin-off drama as well as the screenplay for The Stranger in our Bed. How do you fit it all in? What is your writing routine like?

I’m lucky enough these days to be able to write full time and I do treat it very much as job. I start almost as soon as I wake at 7.30am. I write until mid-morning, then, I shower etc. I do this because I set the tone for the day and I get my best work done in the morning if I don’t allow anything else to be a distraction. I write all day with a few breaks and usually stop around 3-4pm. At which time I switch to editing mode and I work on books I’m editing for Telos Publishing or sometimes for friends I’m helping or mentoring. By doing this I structure my day and don’t waste any time. I work until 5pm usually, then I go and make dinner!

My evenings are always resting watching TV with my husband and cuddling our very demanding cats!

Sometimes my day is different, it depends on other factors, such as what I have to prioritise. At the moment, I’m working on two different projects simultaneously, a new Crime collection of short stories and a first book of a potential series with another writer – but I can’t say more about that as it’s all NDA’d!

How I work this is I choose set days when I’m writing stories and set days to work on the other project. I will work 7 days a week when I need to, but I try to get Sundays off to spend with my husband. And sometimes we are attending events at weekends so that’s an enforced writing rest of sorts!

As well as writing crime fiction, you also write horror fiction under the name Sam Stone. How do the two genres compare and have you ever been tempted to combine the two?

I think that horror and crime do work very closely together. Looking back now, I realise that most of my horror, fantasy and SF books were all mysteries but usually with some supernatural explanation. Writing mainstream thrillers, crime and mysteries is actually a lot harder for me than supernatural fiction. You have to get your facts and research right and you can’t solve the problem with a supernatural excuse, it has to be plausible. Having said that I do love writing thrillers, especially exploring the psychological aspect of characters as I’m fascinated with the way psychopaths, narcissists and sociopaths think and what motivates their actions. When you study people there is a wealth of stories you can tell. Besides, I think real people can be far more dangerous and frightening than supernatural monsters!

Your book The Stranger in Our Bed has recently been made into a film which must have been very exciting. How was the experience of adapting your own work for the screen? Would you do it again?

It’s quite rare that the author of a book gets the opportunity to write the screenplay, so I was very lucky to have the chance to do this. Fortunately, I had written for screen before and my BA specialism was screenwriting so I did have knowledge of how to approach it. I was also aware that you do have to make changes in order for somethings to work on screen that might work differently in a novel.

This was a very pleasant and positive experience for me, particularly because actress and producer Terri Dwyer made it so. She was incredibly supportive throughout the process and I was really willing to work with everyone and listen to their opinions and suggestions as I’m not precious at all. I just wanted the film to work in its own right as a great thriller because that was what was really important.

I would definitely do it again, given the chance and I am also working on original screenplays too, that I might one day do the reverse and novelise.

My favourite books of yours are The House of Killers trilogy. One of your characters is an assassin and the other an MI5 operative. The research must have been fascinating! How did you go about it?

Wow! The research I had to do for these books was fascinating. I had a consultant who worked for the government that helped me a lot. And I also reached out to a weapons manufacturer who was incredibly helpful. There were somethings I learnt that I wished I could unlearn but spies and spying and assassins are always fascinating material. Hiding in plain sight is one of my key take aways and I’m very observant in my every day life. Is the person wearing a construction orange jacket and carrying a clipboard, who we often ignore, really meant to be there? We often taken official-looking people on face value but …

What advice would you give to other people wanting to write?

Firstly, you never see half-finished books in bookstores. So always finish everything. This will give you the mental stamina needed to keep writing. I always liken the creative muscle to any muscle. You don’t go into a gym and lift heavy weights on the first visit – you have to build up to it. And the writing stamina is exactly the same, the more you practise though, the easier is gets. People often say start small, short stories perhaps? But I must admit I always swayed more towards novel writing initially than stories. So – the most important thing is write what you like. Write what excites you. Write what you’d really like to read. Write from the heart and you’ll always engage with your readers. And of course, read a lot, always.

Finally, what are you working on now?

I’m currently in the middle of writing a complete short story collection called CRIMES OF PASSION which is hopefully going to be published later this year. The collection can be pre-ordered from Telos Publishing and all pre-orders will be signed by me and receive a thank you in the dedications page of the book. For more information you can visit

Sam’s books are always a great read and her first novel Killing Kiss is available for just 99p at the moment (2 June 2023) on Amazon.

Check out Sam’s other books on Amazon:

The House of Killers

Kill or Die

Kill a Spy

The Stranger in Our Bed

An interview with…Hilary Taylor

I was very fortunate to read a proof of Hilary Taylor’s debut novel, Sea Defences, which is due out on 12 January next year.

Sea Defences is a stunning debut with evocative descriptions, strong characterisation and a simmering tension which builds to a thrilling finale. Fans of Broadchurch, in particular, will love this book. 

In this blog post, Hilary talks about her journey to publication and what she’s working on next.

Please introduce yourself and your new book

Hello Sarah. Thank you for hosting me on your blog. I’m Hilary Taylor. I live in Suffolk and worked for many years as a primary school teacher. My debut literary novel, Sea Defences, will be published by Lightning Books ( on 12 January 2023. It tells the story of Rachel, a trainee vicar who learns the terrifying power of the North Sea when her six-year-old daughter goes missing on the beach. She is drawn into an unlikely friendship with defiant loner, Mary, whose son is nursing a secret. The book has been described as a searingly honest psychological drama. 

When did you start writing? Can you tell me about your journey to publication?

I started writing seriously and submitting my work about 25 years ago, in the days of postage stamps and padded envelopes and actual paper rejection slips. It’s been a long road! 13 years ago I began entering short story competitions – and winning prizes, which spurred me to keep going with longer work as well. Although I had plenty of full manuscript requests from agents, none of them wanted to represent me (except one, who tried to sell a couple of picture books I’d written). My short fiction continued to do well, and in 2018 one of my stories won third prize in the Bath Short Story Award. That story, also titled Sea Defences, was the basis for this novel. Again, I had interest from agents, but no takers, and then a fellow writer suggested Lightning Books. I submitted, and a few weeks later they offered me a deal.

Sea Defences is your debut novel. How have you found the experience so far? Was there anything that surprised you?

I’m guessing that the experience of working with my small indie publisher (who, incidentally, was a British Book Awards Small Press of the Year regional winner in 2022) is very different from what it would be with a bigger publisher and an agent. It’s a year since I signed the deal, and throughout that time I have worked directly with one main person at Lightning Books, as well as being able to talk to the ‘boss’! Communication has been excellent, so I know what’s happening and feel involved at every stage.  I don’t think anything has surprised me yet – apart from the fact that I’m a published novelist at last!

Who are your favourite authors?

The ones that spring to mind are Rose Tremain, Helen Dunmore, Susan Hill, Carys Bray, Rachel Joyce, Patrick Gale, Claire Fuller, Joanna Cannon. And when I’m in the mood for crime, my go-to author is Ruth Rendell/Barbara Vine.

What advice would you give to other people wanting to write?

  1. Read. It’s probably true that most writers write the kind of books they like to read. Maybe don’t over-analyse, but it’s worth thinking about why you like those books. How does the author do it? And if you read something you don’t like so much, think about the reasons for that, too.
  2. Write. No rules about how or when. Just do it. Hone your craft by practising, and by reading books about writing if they are helpful. But remember that there’s no single right way of doing things.
  3. Even if you aim to write long, write some short pieces from time to time. It feels different, and can be refreshing. And writing to a limited wordcount is excellent practice for cutting out the unnecessary. When I was researching life in the 1940s for my current work-in-progress, reading about ‘Make do and Mend’ gave me the idea for a flash fiction piece which went on to win second prize in the Flash500 competition.
  4. Find your writing community, even if it’s just one or two others. Writers can be a very supportive bunch.
  5. Learn how to pick yourself up and carry on when your submissions get turned down. Think about what success looks like for you. It’s different for different people.

Finally, what are you working on now?

I’m writing the first draft of a novel set partly in the 1940s and partly in the 1990s. The idea was sparked by a page in an old family photo album, where some photographs had been removed. Alongside the captions was an ambiguous note, written years later in spidery handwriting, mentioning an adoption which none of my family members had ever heard about. A mystery surrounded the identity of one person. Intrigued, I explored a series of ‘what if’ questions, and the novel idea began to take shape.

You can order Sea Defences from as well as via Amazon, Waterstones and other bookshops.

Follow Hilary on Twitter and Instagram: @hilarytaylor00

An interview with… J A Corrigan

I am delighted to welcome fellow crime writer, Julie-Ann Corrigan to my blog. Writing as J A Corrigan, Julie-Ann has published three brilliant psychological thrillers: Falling Suns, The Nurse and The Bad Sister as well as historical fiction under her pen name, Jules Hayes.

Please introduce yourself and your published works

Hi Sarah, and thanks so much for hosting me on your blog.

My name is Julie-Ann Corrigan and I write psychological suspense thrillers as JA Corrigan.

My debut thriller, Falling Suns, was published in 2016 by Headline Accent – a disturbing story about a mother dealing with the abduction and subsequent brutal murder of her young son. The story charts ex-detective Rachel Dune’s quest for revenge and retribution.

My second thriller, The Nurse, was published by Canelo in May 2021.

Again, it’s a story with a strong female protagonist (I like to think this is my literary signature!) – Rose Marlowe. The story opens with Rose being sentenced to 20 years in prison for the murder of a patient in her care. Rose pleaded guilty, but when washed-up journalist Theo Hazel begins visiting her in prison hoping for a ‘scoop’ he questions if in fact she is guilty of the crime. As Rose’s story unfolds, Theo’s intuition turns into hard facts, which he can’t ignore. Is Rose innocent, or is she manipulating Theo. Is she a cold-blooded killer, and a psychopath, or is she a victim of circumstance?

The Bad Sister is my third thriller, and my second  novel published with Canelo. The book released in April 2022.

This time I have 3 strong female protagonists – sisters, Natalie, Jessica and Teresa Keane. Narrated in 2 timelines, with 3 viewpoints (each sister), this is very much my Rubik Cube novel, as well as my lockdown book. I wonder sometimes if the two are connected!

The story opens in 1991 when the Keane family are throwing a party at the family home, the luxurious Raven House, for Teresa’s graduation and engagement. But when a young girl’s body is found on neighbouring Raven Island during the celebrations the family, instead of turning to each other, turn against each other. In the coming years the sisters become estranged, only brought back together more than 20 years later by another female family member, Natalie’s daughter. As the 3 sisters’ secrets begin to unravel, at last they confide in each other, with earth shattering consequences – and the reveal of the final Keane family secret.

When did you start writing? Can you tell me about your journey to publication?

I began writing in 2010, starting with short stories. I was lucky and these stories were published. In 2012 I began writing my first novel, a modern historical thriller set during the Spanish Civil War (I’m a history graduate.) This book was finally published under my pen name, Jules Hayes, in March 2021.

I began writing my first psychological thriller in 2013, this became Falling Suns. I went on to write another historical novel (which I self-published), and then I wrote a genre-straddler, set in Poland/Auschwitz in 1943 and present day UK – a dark thriller and with a detective! This book still sits in my drawer. We all have one… one day I hope it finds the light of day!

In 2018 I began writing The Nurse (although during its conception it did have another title!) This is the book that found me my agent, Camilla Shestopal.

In 2020-21 I wrote The Bad Sister.

What were the pivotal moments so far in your writing career and what have you learned from them?

Eliciting a standing ovation at an Open Mike night at the Hay Literary festival, and at the very beginning of my writing journey, and before I had a complete first manuscript. I thought I’d cracked it and I’d be JK Rowling in no time. Wrong! I think it taught me early on to take these things with a pinch of salt. Don’t take yourself too seriously.

My most recent pivotal moment was when Camilla (my agent) signed me with The Nurse. It’s a book I took a chance on writing – several people during its conception told me it would never be published – and so when the Canelo team offered a contract for the manuscript it was a very sweet moment, and also made me realise that a writer really does have to write what they want to write. Passion, enthusiasm and authenticity shine through.

What kind of research did you need to do for your latest novel, The Bad Sister, and how did you go about it?

The Bad Sister is set on the River Thames, and I was inspired by the location (near to where I live.) I was also inspired by people and families I’ve come into contact with over the years as my child was growing up – however, the story is utterly fictitious!

I did a fair amount of research into what it entails to be a barrister (Teresa’s character) and also a psychiatrist (Jessica’s character.) The original title for the novel was The Psychiatrist, which I rather like, as the plot pivots on what happens to Jessica, but ultimately, the novel was better served by a title signposting family dynamics within the story.

I also had a lot of research help from a criminal court judge, who read the relevant chapters for veracity. She is an amazing woman, who also encouraged me to be a little more edgy with the plot, explaining that much worse happens in real life!

With all of my books I tend to do a lot of research before and whilst writing them.  

Who are your favourite authors?

I have eclectic reading tastes, so I have many favourite authors!

In the thriller genre, my favourites include Alex Marwood, Barbara Vine, Patricia Highsmith, Erin Kelly, Fiona Cummins, and Minnette Walters.

I love DM Thomas (The White Hotel), Kate Atkinson and Cormac McCarthy. Thomas Harris, early Stephen King. Love John Irving, Murakami and yes, Ishiguru. Madeline Miller, Anne Patchett and Michel Faber.

What advice would you give to other people wanting to write?

Sit down and get the words down. I recently began working with a mentee, who was ‘thinking’ about starting a 1st novel. I told him to just write, that I had no care how bad it might be, because there was no way either of us could make it better until he wrote something.

For what it’s worth, with this particular writer, this advice was extremely effective. A big achievement for me (and him) would be to see him secure an agent, and a publisher. The circle for me would be complete.

Write, read. Write, read, and repeat, and live your best life at the same time (interaction with the world is imperative to authentic writing.) Try to find someone who is able to mentor you in those early stages, giving you the latitude to write a story you want to write, with no self consciousness, no inner critic, no negative vista.

Be authentic, to yourself and to your future readers.

Come off social media!

Finally, what are you working on now?

Currently I’m working on a contemporary thriller, and again one of the lead characters is a strong female protagonist, but there is also a detective (a male second lead), and several gruesome murders!

The novel’s themes encompass a pretty zeitgeist topic, as well as honour, love and loyalty. I plan a series with this book. I’m very excited about it.   

You can find out more about J A Corrigan on her website: or follow her on social media:




An interview with… Abby Davies

Abby Davies is a fantastic writer and I have been gripped by her first two psychological thrillers, Mother Loves Me and The Cult. I am delighted to share this interview with her.

Please introduce yourself and your published works

I’m 38, live in Wiltshire with my hubby, 4-year-old daughter and two crazy cockers, and I’ve always been passionate about reading and writing (and shopping). Mother Loves Me and The Cult are my psychological thrillers. I wrote Mother Loves Me while teaching secondary school English, which I think helped because it’s written from the POV of a 13-year-old girl. I even test-trialled the first chapter on my students, and completely freaked them out!

When did you start writing? Can you tell me about your journey to publication?

I wrote my first novel when I was 18, submitted it to about 20 agents and received 20 rejections! Every couple of years after that I wrote another book, experimenting with Young Adult Dystopian and books for younger readers as well as adult thrillers. In 2012 I did a Creative Writing MA which ironically damaged my confidence! I lost my mojo for a while, but when I read Emma Donaghue’s Room closely followed by S. J. Watson’s Before I Go to Sleep, the idea for Mother Loves Me sprang forward and I wrote my first ever psychological thriller. I submitted the first 5,000 words to Mslexia Novel Competition 2018 and was shortlisted! Part of the prize was to attend a pitching workshop in London. I pitched my book to an agent, and they offered me representation. After 17 years of hard graft, I’d finally got an agent! Euan secured me a publishing contract with HarperCollins and Mother Loves Me was published in 2020. The Cult came out the following year. It really was a dream come true.

What were the pivotal moments so far in your writing career and what you have learned from them?

A truly pivotal moment was receiving my first set of notes from my agent. I learned a great deal from Euan about pacing; never rush the scene when there is high tension – draw it out and let it build to maximise suspense.

What drew you to write crime fiction?

I’ve always watched and read crime, finding it absorbing, intriguing and exciting, so I think my love for the genre drew me to write it.

Who are your favourite authors?

Stephen King, Dean Koontz, Jane Austen, Jilly Cooper, JK Rowling, Kathryn Stockett and many more!

What advice would you give to other people wanting to write?

Read everything about writing that you can get your hands on, read numerous books in your chosen genre/area, enter competitions, and never ever give up. Rejection stinks but sadly it’s inevitable in this business.

Finally, what are you working on now?

I’m trying my hand at a rom-com! It’s so fun and refreshing to write something a bit lighter. I’m loving it!

Thanks Abby! You can follow Abby on Twitter @Abby13Richards and on Instagram @AbbyDaviesAuthor.

An interview with…Amanda Huggins

Amanda and I first met at a local writing group. She’s been so supportive to me over the years and is a brilliant writer! She writes novellas, short stories, flash fiction and poetry.

Please introduce yourself and your published works

Hi Sarah, thanks for inviting me over – I’m honoured that you’ve asked me to be your first interviewee!

I’m an author and travel writer currently based in West Yorkshire. I was brought up on the North Yorkshire coast and after living in London in the 1990s I headed back north and ended up ten miles from Leeds.

I’ve published two novellas, Crossing the Lines and All Our Squandered Beauty, and four collections of short stories and poetry. Both novellas won the Saboteur Award for Best Novella, in 2021 and 2022 respectively, and my poetry chapbook, The Collective Nouns for Birds, also won a Saboteur Award in 2020.

All Our Squandered Beauty is a coming of age novel set mainly on the Yorkshire coast, and was developed from the title story of my first short story collection, Separated From the Sea.

The blurb: Karas father died at sea – or did he? She has spent her teenage years struggling with grief and searching for answers. When she accepts her art tutors offer to attend a summer school on a Greek island, she discovers once again that everything is not what it seems, and on her return she faces several uncomfortable truths. Could Jake, a local trawlerman, be the key to uncovering the past, and will Kara embrace the possibilities her future offers or turn back to the sea?

My second novella, Crossing the Lines, was based on my story ‘Red’ which was a runner-up in the Costa Short Story Award in 2018.

The blurb: When Sherman Rook walks into the Jupiter diner, Mollie’s mama is instantly smitten. Despite her daughter’s reluctance, they leave the New Jersey shore behind and move to his isolated farmstead over a thousand miles west. Fifteen-year-old Mollie distracts herself from Rook’s cruelty by befriending a stray dog she names Hal, but when Rook crosses a final line Mollie realises that sometimes we must leave behind those we love in order to save ourselves. With only $20 to her name, she sets out from Oakridge Farm, relying on luck and the kindness of strangers as she makes her way back home across five state lines.

When did you start writing? Can you tell me about your journey to publication?

I was around eight when I had the not-very-original idea for my first ‘novel’,  an equestrian tale called Silver Brumby which I wrote by hand in a spiral bound notebook with a shiny red cover. My first writing success was with a love poem written to George Best when I was eleven. It won third prize in my grammar school’s literary competition. I’d like to say I never looked back, but shortly after writing a lot of angst-ridden sixth form poetry, I put my literary ambitions aside for quite a long time.

Around ten years ago I started writing again with serious intent – travel articles at first. I sent a piece to The Telegraph every week until they accepted one! I had further success with my non-fiction in the years that followed, including winning the British Guild of Travel Writers New Travel Writer of the Year Award in 2014, and being shortlisted twice for the Bradt Guides New Travel Writer Award. Then fiction – or more specifically, short stories – captured my attention, and I soon started submitting and entering awards, and went on an Arvon course to try and hone my craft. I achieved quite a lot of success in competitions, and had a short collection of flash pieces published by Chapeltown Books. I then submitted my first full-length collection, Separated From the Sea, to a few indie publishers. I got some great feedback from one or two, but I knew in my heart it needed more work. After a lot more editing, I sent it under a pseudonym to Retreat West Books and it was accepted. They then went on to publish my second collection, Scratched Enamel Heart.

Around that time I’d also completed All Our Squandered Beauty and had my first poetry chapbook published by Maytree Press. Suddenly it was all happening!. I was then on the hunt for a new publisher, as Retreat West decided not to continue commissioning new books due to financial and time constraints. I submitted to around half a dozen indie presses before Victorina Press accepted my novella, and they have since published Crossing the Lines as well.

What were the pivotal moments so far in your writing career and what you have learned from them?

Having a piece of travel writing published in The Telegraph was a pivotal moment for me – it gave me the confidence to keep going. Then when I started writing fiction I sent the very first short story I completed, ‘All Stations to Edgware’, to Jo Derrick at the Yellow Room magazine. To my surprise, it was accepted, and Jo said some lovely things about my writing which really encouraged me. I think these small affirmations are really significant when you start out – it’s important to know you’re heading in the right direction. That said, it’s just as crucial to learn to accept rejections with grace, and I’ve had far more of those!

Being shortlisted for the Costa Short Story Award was a real biggie – I can still remember my shock and disbelief when the email arrived. It was such a great night at the awards – I was a runner-up rather than the outright winner, but I still got to add the iconic Costa sticker to the cover of Scratched Enamel Heart! And I have learned that these are the things which grab the attention of bookshops when you haven’t got a mainstream publisher behind you.

Seeing my name on the cover of a book for the first time was also a real pivotal moment – I think that’s when I finally gave myself permission to call myself a writer.

But something else that felt really important to me was the first time a reader got in touch to say my writing had made them cry and that they were worried about what happened to my characters after the story ended! When someone thinks of your characters as real people then you know you’ve done the job you set out to do.

Who are your favourite authors?

I have so many, it’s hard to know where to start. Kazuo Ishiguro is one of my all time favourite authors, and The Remains of the Day is certainly in my top five favourite novels – the story of a life sacrificed to duty; beautifully written and heartbreaking. Other all-time favourite books include Jane Eyre by Charlotte Bronte, The Little Prince by Antoine de Saint Exupery, The Siege by Helen Dunmore, and Hemingway’s A Moveable Feast. More recently I’ve loved Strange Weather in Tokyo by Hiromi Kawakami and The Housekeeper and the Professor by Yoko Ogawa. And this year’s favourite novel so far is Trespasses by Louise Kennedy – intense, honest and heart-wrenching. But these are just off the top of my head today – tomorrow you’d get different answers!

I read a lot of travel writing too – I love Dervla Murphy, Alex Kerr and Pico Iyer in particular – and I really enjoy short story collections. When I’ve finished a novel I often pass it on, however I usually keep short story collections and return to them over the years in the same way that I do with poetry. I have countless favourites, many by established authors, but also a growing number by emerging short story writers. The collections on my shelves include books by William Trevor, Lucy Caldwell, Tessa Hadley, Helen Simpson, A L Kennedy, Wells Tower, Miranda July, K J Orr, Ernest Hemingway, Taeko Kono, Haruki Murakami, Richard Ford, Alice Munro, Flannery O’Connor, Anton Chekhov, Annie Proulx, Isaac Babel, Angela Readman, and A M Homes.

I’m a huge fan of Japanese writing — novels, novellas and short stories. Japanese literature is often poetic, quiet, unhurried, and that way of writing suits the short story form. Sparing and effective use of language, subtlety and nuance, a certain elusiveness, all demand that the stories are read slowly, and that they are re-read and savoured. These are the qualities that draw me back again and again, and the tales of yearning and loss, of not quite belonging, all resonate with the themes I explore in my own fiction. I admire Murakami’s short stories, and really enjoyed his collection, Men Without Women. Murakami is renowned for his surreal writing, yet I prefer his stories when he writes of single men and smoky bars, lonely hearts and enigmatic women. I also love the short stories and novels of Yoko Ogawa. Like Murakami, her writing is often surreal, and can be unsettling and even grotesque. She is adept at self-observation and dissecting women’s roles in Japanese society. Taeko Kono explored women’s roles too, burrowing deep beneath the routines of daily life to reveal a disturbing underbelly — and who could resist a collection called Toddler Hunting and Other Stories?               

What advice would you give to other people wanting to write?

I would never offer up sweeping statements like “write every day even if you’re not inspired”, as people can feel so pressured by this type of advice that it can end up hindering instead of helping. That said,  you do need to actually write – your novel or poem is no good in your head!

What I would say – because I’ve been around the block a few times! – is only write if you really love doing it and would be diminished by not writing. Fame and riches are hard to come by and are not the best motivator.

Network: talk to other writers at events and festivals, join a writing group. It’s a lonely business, and your partner will soon get tired of your writing babble.

Never expect friends and family to read your stuff – they probably won’t.

When you start out, submit to lots of places at once – that way you’re not waiting on tenterhooks for one response. When a rejection hits it won’t feel as bad if you’ve got another ten other pieces out there. I think this actually matters less when you’ve had a few things published and have become accepting of the high rejection rate!

Finally, what are you working on now?

I’ve just sent the final edits of my poetry collection, Talk to Me about When We Were Perfect, to the publisher. It’s out next March with Victorina Press, so that’s exciting. And before that, I have a short story collection out in October, An Unfamiliar Landscape, which was commissioned by Valley Press last year.

So now I’m moving on to the next book, which is a collection of all my stories set in or about Japan, with accompanying essays on Japan, poems, and journal entries from my travels. A lot of it is already written and/or previously published, but I’m working on three new stories for the collection, and now have the pleasant task of going through all my Japan journals to select some excerpts. That will be out in early 2024, and the working title is The Shadow Architect.

But there’s a new novella bubbling under too…

Thanks Amanda! You can catch up with Amanda’s latest news on her website:

Or you can find her on Twitter and Instagram @troutiemcfish